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Spanish harlem orchestra united we swing
It would be our capacity for unconditional love.
SHO pays tribute to the legacy of Manhattans Palladium Ballroom, the home of the mambo, with En El Tiempo Del Palladium (In The Times of The Palladium that catered to Mambo dancers and featured the bands of the BIG-3: Tito Puente, Tito Rodriguez and Machito.The sound of El Barrio brought to life once more by New York's finest salsa band.On, united We Swing, Spanish Harlem Orchestra continues in the same classic-meets-contemporary sound, but with refreshing originality.Coum Transmissions film, after Cease to Exist.The track is a remarkable demonstration of shifts between sonic space and sonic density, a patient warping of sound that somehow conjures a sense of pursuit without a sense of propulsion.Yet, these perfectly opposite methods of working a crowd share that lasting Genesis goal of cracking the current structure of reality.We wanted to see what we could do to utilize relatively cheap or unique instruments and tools and gadgets, what we could do to play with them in such a way to subvert their original intention, which was control.One is on the darker side, one is a little bit more on the hopeful side.
I have a lot of colleagues who helped me on this album and who I feel have their finger on the pulse of what this music should.So those are just topics in the Industrial Record.Oscar Hernández, SHO takes its cues from the heyday.And so when you come in and you take away any time signature, and you take away any melodic backup, and you take away the idea of singing in the sort of official, operatic idea of the voice, and you do it as a certain.And so you're actually being governed by people you've never met.